Title:
Cristian Icons, Mind-Altering Substances, and the Pathway to God
Speaker:
Dr. John A. Rush (via Skype)
Abstract:
Who was Jesus? Was he a real person? What happened to him? Did he die on the cross as suggested by the Catholic Church and many biblical historians? Or did he “die” in some other manner? In his latest book, The Mushroom in Christian Art: The Identity of Jesus in the Development of Christianity, and in this presentation, John A. Rush will expose the greatest creation myth ever “sold,” that is the creation of Jesus as a living, breathing human being, forged into history after 312 CE by Eusebius of Caesarea once some of the Christian cults were connected to the politic. Before this time there were numerous cults, the members of which had various experiences of Jesus, the Teacher of Righteousness, through the Amanita muscaria mushroom (and other mind-altering substances) as revealed in the Dead Sea Scrolls. Once connected to the politic the search was on for Jesus, but he couldn’t be found. The real story of Jesus, and who he was, however, was coded in Christian art for all to see – if you know what to look for. The message attributed to Jesus, that is, seek knowledge, know thyself, personal responsibility, and human decency was “murdered” by the Catholic church and replaced with a perversion, an oppressive tradition, that promotes ignorance and slavery to the Church.
April 10
Title:
The Philosophical Aspects of Chinese Painting:
The Taoist Influence on Landscape Painting from Tang to Song Dynasty
The Taoist Influence on Landscape Painting from Tang to Song Dynasty
Speaker:
Sonja Dimoska
Abstract:
This speech provides an overview of the main philosophical implications in Chinese painting. More specifically it will discuss the influence of the Taoist philosophy on Chinese landscape painting in the period from Tang to Song dynasty. Chinese landscape painting as an individual mode of art expression developed during Tang dynasty and flourished immensely. Its second era of glory was achieved during Song dynasty. Landscape painting was considered as a superior art form and it was practiced by the literati or highly educated officials talented in poetry, calligraphy and painting. They were to represent men of virtue, of high morality that revealed their achievement of acting in accord with Tao. The presentation follows with elaborating that landscape painting was not purely a representation of the nature, but was a form through which Tao manifest itself through its vital forces yin and yang. The landscape painting that captured the spirit resonance was considered an achievement worth of admiration as it grasped the harmonious dynamism of the universal principal. Apart from the nature as a motive, other aspects that disclose the Taoist influence are to be discussed such as the empty space, monochromatic painting style, visual perspective, man representation in nature etc. Chinese landscape painting is inseparable from its philosophical grounding and therefore exploring Chinese aesthetics through philosophy brings us towards better understanding of Chinese painting on one hand and the holistic Chinese philosophy on the other.
This speech provides an overview of the main philosophical implications in Chinese painting. More specifically it will discuss the influence of the Taoist philosophy on Chinese landscape painting in the period from Tang to Song dynasty. Chinese landscape painting as an individual mode of art expression developed during Tang dynasty and flourished immensely. Its second era of glory was achieved during Song dynasty. Landscape painting was considered as a superior art form and it was practiced by the literati or highly educated officials talented in poetry, calligraphy and painting. They were to represent men of virtue, of high morality that revealed their achievement of acting in accord with Tao. The presentation follows with elaborating that landscape painting was not purely a representation of the nature, but was a form through which Tao manifest itself through its vital forces yin and yang. The landscape painting that captured the spirit resonance was considered an achievement worth of admiration as it grasped the harmonious dynamism of the universal principal. Apart from the nature as a motive, other aspects that disclose the Taoist influence are to be discussed such as the empty space, monochromatic painting style, visual perspective, man representation in nature etc. Chinese landscape painting is inseparable from its philosophical grounding and therefore exploring Chinese aesthetics through philosophy brings us towards better understanding of Chinese painting on one hand and the holistic Chinese philosophy on the other.
April 17
Title:
Meditation - Meaning, Preparations, Techniques
Speaker:
Stephen Giger
Abstract:
As changes on this globe increasingly are speeding up, more people
ask themselves, where or what it is, that remains stable. Meditation
can give us several answers these questions.
What exactly is meditation?
Is it necessary, to go to the mountains and join a special retreat to
perform meditation?
Why should we even meditate? What are the possible benefits and
might there even be bad things about it?
In this short talk I will try to answer all of these questions and furthermore
provide insight to how exactly we can practice to gain quicker positive
results.
In meditation the place, food, sleep, social habits and a suitable technique are
the key points to gain a greater understanding of this sacred practice. Only
by getting a clear understanding of these points, we are ready to set foot
on this amazing journey inside ourselves.
April 24
Title:
Pseudo-Science, Scientific Denialism and Skepticism
Speaker:
Dan Aldridge
Abstract:
“Science and religion are basically equivalent, as both are based on faith.”
“Science is always changing its mind, so I don’t trust it.”
“Science is just another culturally-determined system of belief, with no special claim to truth.”
“Science is subjective”.
“Science is an elitist insiders’ club that colludes in suppressing decent to preserve its privileged status in society.”
“Follow the money! Funding drives what passes for science now, so what passes for science now isn’t really science.”
Many of us have heard or even made claims like this. But how carefully do we scrutinize the evidence for them? The notion that science is essentially a faith-based belief system, for example, is based on a misapplication of the term “faith”, as faith denotes belief in the absence of evidence or even in the face of contradictory evidence, whereas in science, all trust we place in credentials, theories or even scientific laws is always provisional. To quote ____ Steven J Gould, "In science, 'fact' can only mean 'confirmed to such a degree that it would be perverse to withhold provisional assent.' I suppose that apples might start to rise tomorrow, but the possibility does not merit equal time in physics classrooms."
However, most of us don’t have the thousands of hours necessary to attain expertise in a given field and call ourselves scientists. That being the case, if, as in science, one’s goal is to become right instead of simply to prove oneself right, how does one distinguish genuine knowledge from what Philosophy of Science Dr. Massimo Pigliucci calls “Nonsense on Stilts” – especially given the media’s profit-driven propensity for promoting the notion of controversy where none exists?
This question leads us to the importance of promoting skepticism - the sleek and powerful engine at the heart of science - which teaches us to spot and avoid the cognitive pit-traps within ourselves, as well as to identify and combat the social manifestations of these pit-traps: scientific denialism and pseudo-science.Every forum begins at 8pm.
Place: Cafe Bastille 3, Taipei City, Daan District, Wenzhou Street, No. 7 台北市大安區溫州街7號 (in the basement of the cafe). It's near Daan Forest Park (not the one at Gonguan) close to the intersection with Hoping East Road, behind the 7-11.
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